As BlogHer’s new Photography Editor, I’d like to make a confession upfront: Last summer, I kicked my Photo Muse to the curb.
That’s when I moved from San Francisco to Denver to meet up with my yummy new beau. Along the way, I visited my fellow BlogHer pal, Leslie, and joked to her: “He’ll probably take a look at how much stuff I have and dump me on the spot!†Har-har-har! Yuk-yuk-yuk! Oh yes, that was a good one.
Not nearly as funny, however, when the joke became a reality. “You have too many things,†he opined two days after my arrival, “A sure sign of inner chaos.†Since we were sitting on beach chairs in my living room, I assumed he was talking about the endless boxes of print photos and good ol’ fashioned film negatives.
Despite his obvious idiocy (‘MonkMan’ slept on plywood fer chrissakes) he had a point. In addition to my broken heart, there was a side casualty; unpacking all my photo gear alone while sobbing my heart out actually snuffed out my beloved shutterbug. Warped, I know.
Finally, nearly a year later, that familiar twitch has returned, just in time for my new role at BlogHer. Thankfully, I could not have been dumped in a more beautiful locale. For the first time ever, I live with seasons! Four of ‘em! (Growing up in LA, we only knew about autumn when the new TV line-up was announced.) I’ve got a whole new state to explore – rugged cowboys, unfamiliar flowers, disruptive snowstorms and let us not forget the majestic Rocky Mountains. Oh my, yes.
However, this photo-free time has not gone to waste for I have spent the last year just seeing. A camera, after all, is only an extension of the original lenses we came with. For me, this awareness is a crucial part of the craft. I once lost touch with this reality – seeing only through the lens, convincing myself that if I did not photograph something I did not really see it - and the resulting images clearly suffered.
Meanwhile, digital photography has gone mainstream. As an old-school purist, I have dutifully resisted but just on the space-saving aspect alone, I am ready to embrace. Of course, I possess some small digital cameras but they leave me so cold, my muse doesn’t stir. It’s akin to having sex with a full body condom - I’m pretty sure something happened but certainly not anything worth mentioning.
Darkness, no more, my friends! The time has come to resume this journey, albeit with a fancy new horse. I recently bit the bullet and plunked down a solid chunk o’ change for a digital SLR, a Canon Digital Rebel XTi. I am in love with it and when no one is looking, I kiss it. It is money well-spent just for the tingle factor alone.
In this space, I will share this passion with ya’ll while seeking clarity and insight in return. I’m no pro but I am mad about it. I’m so honored to be trusted with the flashlight on this adventure, to finally let my pent-up shutterbug loose and see what in tarnation is going on out there.
I implore you to let me know how best I can serve this community. If you have specific requests, something you’d like me to investigate – new photo software or photo-sharing site, I’m open. Same goes for any photo-related issues – use me, baby. My lens cap is off, the battery is charged and the lighting is perfect. Let’s get snapping.
Comments
Auto mode
The auto mode of a camera is not a garantee against failure, the camera can choose the wrong settings for the image that you had in mind. Your are better using either the Av or Tv setting (if you camera has them) of your camera, it gives you a better creative control.
The Rebel XTi, is that the 400D, why did canon give the same canon two different names.
Katherine
http://cameraaperture.blogspot.com
http://www.cameraaperture.com
Cameras and Cowboys
Hello Heather (I think I caught that was your name in one of the replies?) I also have a Canon SLR EOS Mine is a digital I had the regular camera but splurged for my birthday a couple yrs ago and got the digital! I love it. I had a Quantum zoom lens that I used alot, it worked for quit a few photos. That is untill my husband wanted me to start taking pictures of him roping. I could get him and the steer, or the heeler and the steer, not all three! I told him one day if they used shorter ropes I could get the whole picture! His heeler started laughing so hard he had tears in his eyes!! What? I was being serious!! Anyway guess what I got for my birthday this year? A wide angle zoom lens! From none other than my Cowboy! I don't think it has been off my camera since! I take pictures of all subjects you were taliking about. Cowboys especially! Yum! I just started blogging a couple days ago, I have a few photos posted on my blog, check it out if you have time. Maybe you can give me some pointers!!
http://cowboysandsunsets.blogspot.com/
Welcome, Heather!
I'm so glad you've joined us here! I can't wait to learn about photography (and much else, I suspect) from your experiences.
Leslie
BlogHer Contributing Editor, Research and Academia
Proprietor, The Clutter Museum
Thanks, Leslie!
I appreciate the warm welcome - so looking forward to the experience and the upcoming conference.
I just looked at the specs of your new camera
I'm drooling with envy. I just took a look at the specs at DPreview.com Course any camera, film or digital gets me misty. That is a nice hunk of camera you got there.
I read somewhere about learning to "shoot the verb" Sometimes I do but most times I miss. Any help on that would be cool.
I know what I do need help on. I try to take photos of galley work (with permission)for my blog. How do you do that with the glass/plastic reflection in the frame?
And how do 5'2" people take pix of folks taller than them without shooting up their nose or without distortion?
One more question. In this age of video is there still a place for still photography? I love them both but I can't help but ask the question.
Gena - Out On The Stoop
Camera Droolers Unite!
Yes, my new 'hunk' gets me misty-eyed all the time - silly but true.
RE "shooting the verb": I'll delve into this in upcoming posts - thanks for the prompter. Whether you are shooting for fun, art or photojournalism, there is always a story to tell - the story of a moment. Hard to capture, which is the delicious challenge we shutterbugs face. Eve when shooting a portrait, you are trying to capture a fleeting glimpse of that person's true soul before it hides again. Even a still life poses this challenge, mainly within context. We can all use help with this, Gena, so stay tuned.
RE "avoiding glass reflection": This is a tough one. Luck helps - so does convincing the artist to use non-glare glass or no glass at all. Unless you have the opportunity to create a specific lighting situation (meaning you bring the artwork into the studio) this is hard to avoid. Your best bet might be to fiddle with it in Photoshop. I've heard that messing around with the clone tool (on the second level, above the "background") sometimes does the trick. I'll poke around further and let you know what I find out.
RE the photo angle challenges of your petite-ness: Good question. Are you good at climbing? Remember that your photos are an illustration of how you see the world - your distinct perspective and if that includes nasal canals, well then so be it. Also, I suggest putting some distance between you are your subject which will help minimize that distortion. Finally, watch "The Year of Living Dangerously" all over again - Linda Hunt's photographer character, Billy Kwan, was 4'9" and he was BAD ASS.
RE the relevance of still photography today: Lordie, I certainly hope so! People still connect with a still image - just look at your newspapers, online or off. People make the mistake of thinking that because a new or trendy technology rises, that it will erase the preceding tool. Big mistake. Did you know that there is a drop in CD sales and a rise in LP sales? That TV was supposed to kill radio? (Instead, it keeps reinventing itself while TV ratings suffer.) In my opinion, video and photgraphy are like watercolors and oils, two different methods of achieving the same result - telling a story. Also, don't overlook aesthetics - people don't watch videos and gasp, "Ooooh, good lighting!" Video is having its well-deserved day in the sun but, in my opinion, its apples and oranges. There is room for both, Gena. Don't you fret.
Excellent
You are God sent; there are so many things that I would like to learn to improve my photography. It's odd that we can buy expensive cameras and yet, never really learn about pre- and post-production. In my case, I would be nice to get up the nerve to swich out of automatic mode...
lia from luebeck, germany
Author of the media safe 101 page on the Red Tent Blog and the personal yum yum cafe
Let's Gather 'The Nerve' Together
Lia - well said. I rely on auto-mode much too often - not sure if its the laziness or simple fear of failure. However, with digital, there is much less risk of mistaken waste. Let's enjoy our new freedom and welcome all our little photo failures together, eh?
Welcome!! Just in time..
I got a new camera (Canon S2) last November, and, like Lia, hesitate to switch it out of auto mode.
Can't wait for tips on seeing the potential better...
Debra
A Stitch In Time
Deb's Daily Distractions
Anti Auto-Mode Support Group?
Me, you, Lia . . . . it's a good start. I have a feeling there are others.
AAM Group
I'm in! I'd love to learn more about getting off auto mode.
Shannon
PHAT Mommy
AAM is Born!
Four is a very pro-active number ... together we can make some beautiful mistakes.
BlogHer Contributing Editor, Photography
Proprietor, ClizBiz